That grand old poem called Winter is round again without any connivance of mine. As I sit under Lee’s Cliff, where the snow is melted, amid sere pennyroyal and frost-bitten catnep, I look over my shoulder upon an arctic scene. I see with surprise the pond a dumb white surface of ice speckled with snow, just as so many winters before, where so lately were lapsing waves or smooth reflecting water. I see the holes which the pickerel-fisher has made, and I see him, too, retreating over the hills, drawing his sled behind him. The water is already skimmed over again there. I hear, too, the familiar belching voice of the pond. It seemed as if winter had come without any interval since midsummer, and I was prepared to see it flit away by the time I again looked over my shoulder. It was as if I had dreamed it. But I see that the farmers have had time to gather their harvests as usual, and the seasons have revolved as slowly as in the first autumn of my life. The winters come now as fast as snowflakes. It is wonderful that old men do not lose their reckoning. It was summer, and now again it is winter. Nature loves this rhyme so well that she never tires of repeating it. So sweet and wholesome is the winter, so simple and moderate, so satisfactory and perfect, that her children will never weary of it. What a poem! an epic in blank verse, enriched with a million tinkling rhymes. It is solid beauty. It has been subjected to the vicissitudes of millions of years of the gods, and not a single superfluous ornament remains. The severest and coldest of the immortal critics have shot their arrows at and pruned it till it cannot be amended.